谋杀邀请

来骂了，看这部还不如按我原本计划去看镜之孤城，没什么推理但至少感人而且探讨关于怎么帮助孩子而不是像这部一样狗血，还本年度烧脑推理神作，我还是等真正改编阿加莎的电影吧呵，至少阿婆的剧本还是能看的没有这么扯。n宣传上面写的比尼罗河还悬疑，根本不能比好吗，至少那个手法还有点意思。还有跟利刃出鞘比（有意思的是也有翻成上流谋杀案的），那部我第一部看到睡着了所以不评价但第二部作为娱乐片还可以，这部看完只会觉得浪费钱。n我感觉这部应该是有点致敬阿加莎的意味，几个陌生人被困在孤岛上，不在场的富豪主人，数量少且奇怪的佣人，来自各地操着不同口音的宾客，神秘的大宅，森林里与宾客数量相同的兔子。我本以为会有点有新意的东西，看到第一个人死的时候我觉得啊不会是无人生还的套路吧，看完才发现小丑竟是我自己，这不过是一次对阿加莎的拙劣模仿。n首先富豪是全员爸爸这点。其实在看一开始几个人说没爹的时候就感觉到了，但又觉得这都几几年了还搞这个不会吧不会吧（结果会）。还有假死，我猜到了，全员都在场尸体不见了又没有外人那就是尸体长脚跑了，况且凶器还不在尸体上（有个bug，一开始上去确认生死那个人不是圈套设计的其中一员，他怎么没发现那个人是假死）。还有兔子，只是新鲜的肉罢了这个台词到底怎么写出来的。还有监视摄影机，我本来以为在墙上黑洞洞的东西是什么洞，有通道可以放毒蛇之类的进来，后来越想越不对，第二次对准那个黑洞洞的时候我想不会吧不会吧不会是摄影机吧。对，就是。还有女主最后上价值我只想说shut up。n可以当英语听力看。各种不同国家的人讲话的腔调还挺有意思的，但我更愿意不要浪费这个钱。n看到有中国人和美国硬汉记者和全员父亲和管家其实是富豪的时候我想到了怪宴。这部要是拍成怪宴重制版我可以看十遍。嘲讽喜剧真的好看。n狗狗可爱。

“Invitation to a Murder” is a disappointing murder mystery film that fails to capture the intrigue and charm of classic Agatha Christie adaptations.

While the premise of a group of strangers invited to a remote mansion under mysterious circumstances has potential, the execution falls flat. The characters come across as bland caricatures rather than the vibrant, well-developed personalities that make Christie's works so engaging.

Mischa Barton's performance as the lead character Miranda Green is serviceable but lacks the depth and likeability one would expect from a protagonist tasked with solving a complex murder. Chris Browning fares slightly better as the hard-boiled journalist Donald Walker, but even his character feels like a tired trope rather than a fully realized individual.

The film's production values give it a made-for-TV feel, with uninspired cinematography and a forgettable score. The plot, while attempting to pay homage to And Then There Were None, ends up feeling derivative and predictable, failing to deliver the twists and turns that made Christie's work so captivating.

Overall, "Invitation to a Murder" is a disappointing entry in the murder mystery genre, lacking the wit, charm, and compelling characters that have made Agatha Christie's stories endure. Fans of the genre would be better served revisiting the classic adaptations rather than this lackluster attempt.